Bach Bibliography
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Series : ^[cr]Belfast2007$
Year : 2007
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
[]
1. Cultural Transfer, Cultural Competition, and Religious Diversity in Leipzig during the Baroque Era. [cr]Belfast2007 1 2007 1-10
2. Placing the 'Et incarnatus' and 'Crucifixus' in Context: Bach and the Panorama of the Baroque Mass Tradition. [cr]Belfast2007 1 2007 11-26
3. How Relevant is Count Jan Adam von Questenberg for the Genesis of the B-minor Mass? A Preliminary Report. [cr]Belfast2007 1 2007 27-32
4. On the Role and Meaning of the Polonaise in the Mass in B minor by Johann Sebastian Bach as Exemplified by the Aria 'Quoniam tu solus sanctus'. [cr]Belfast2007 1 2007 33-51
5. Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 2007 52-92
6. Chiastic Reflection in the B-minor Mass: Lament's Paradoxical Mirror. [cr]Belfast2007 1 2007 93-115
7. The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. [cr]Belfast2007 1 2007 116-117
8. Parallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 2007 118-136
9. Some Observations on the Formal Design of Bach's B-minor Mass. [cr]Belfast2007 1 2007 137-149
10. Bach's Calov Bible and his Quest for the Title of Royal Court Composer. [cr]Belfast2007 1 2007 150-176
11. How 'Catholic' is Bach's 'Lutheran' Mass? [cr]Belfast2007 1 2007 177-206
12. Manuscript score No. 4500 in St. Petersburg: A new source of the B-minor Mass. [cr]Belfast2007 1 2007 207-225
13. Many problems, different solutions: Editing Bach's Mass in B minor. [cr]Belfast2007 1 2007 226-233
14. J.S. Bach's Mass in B minor: Observations and Hypotheses with regard to some Original Sources. [cr]Belfast2007 1 2007 234-238
15. Performing Bach's B-minor Mass: Some Notes by Heinrich Schenker. [cr]Belfast2007 1 2007 239-258
16. Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. [cr]Belfast2007 1 2007 258-277
17. Viennese Traditions of the Mass in B Minor. [cr]Belfast2007 1 2007 278-285
18. A 'fairly correct copy of the mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism. [cr]Belfast2007 1 2007 286-291
19. The Mass in B Minor in Nineteenth-Century England. [cr]Belfast2007 1 2007 292-308
20. Reception History of the Mass in B minor in Russia. [cr]Belfast2007 1 2007 309-321
21. Theodore Thomas's 1902 Performance of Bach's Mass in B Minor: Working within the Grand American Festival. [cr]Belfast2007 1 2007 322-343
22. The B-minor Mass and Japanese People: A Problematical Issue of 'Universality'. [cr]Belfast2007 1 2007 344-351
23. Bach's B-minor Mass: An Incarnation in Prague in the 1860s and its Consequences. [cr]Belfast2007 1 2007 352-356
24. International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. [cr]Belfast2007 1 2007 x, 356p
25. Vocal Ripienists and the Mass in B minor. [cr]Belfast2007 1 [supplement 1] Nov 2007 24p
26. Bach's Mass, Bach's Missa, and the Arrogance of Editing. [cr]Belfast2007 1 [supplement 2] Nov 2007 14p
27. The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. [cr]Belfast2007 1 [supplement 3] Nov 2007 11p
28. 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. [cr]Belfast2007 2 2007 357-367
29. International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. [cr]Belfast2007 2 2007 357-511p
30. Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [cr]Belfast2007 2 2007 368-386
31. Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. [cr]Belfast2007 2 2007 387-403
32. Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. [cr]Belfast2007 2 2007 404-424
33. Dogma set to music: Theological aspects of Bach's B-minor Mass. [cr]Belfast2007 2 2007 425-434
34. Numerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 2007 435-445
35. A Guide to the Temporal Structure of the 1733 Missa. [cr]Belfast2007 2 2007 446-458
36. J. S. Bach's Mass in B minor: A Study of its Reception History in the First Half of the Nineteenth Century especially regarding the Activities of Felix Mendelssohn Bartholdy. [cr]Belfast2007 2 2007 459-473
37. The Coates Continuo Conundrum Clarified. [cr]Belfast2007 2 2007 474-491
38. B-minor Mass: Select Bibliography. [cr]Belfast2007 2 2007 492-504

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